ffutures: (marcus 2013)
[personal profile] ffutures
OK, this was a very simple exercise in perception. The passage is from the juvenile/YA SF novel Catseye by Andre Norton (1961), and I'm sure seemed completely innocuous in its day. I re-read it recently and realised that age and too much fanfic has really spoilt me for this sort of thing, since the slash goggles seem to switch on automatically now...

The edited passage is here:
http://ffutures.livejournal.com/1148369.html

About all I omitted was names of the characters, the first sentence and a bit of the first paragraph (which are indicative of the SF setting) and an honorific used by the viewpoint character which is used throughout the novel and again was probably entirely innocent in intention:
There was no foam plast filling its box shape. Inside dried grasses and leaves gave under him, then remoulded about his body, and the fine scent of them filled his nostrils as he fell asleep easily. He did not dream at all.

When he awoke, the door of the big room stood ajar and from that direction he heard the call of birds. Still rubbing sleep from his eyes, Troy rolled out of the bunk. The fire on the hearth was out and there was no one else in the room. But the clean smell of a new day in the Wild drew him out on the ledge, to stand looking down into the valley of the lake.

Something rose and fell with a regular stroke not far from the shore, and he realized he was watching a swimmer. A series of steps cut in the rock led down from the ledge, and Troy followed them. Then a loose sleeping robe draped over a bush beckoned him on and he shed his own in turn, testing the temperature of the water with his toes, plunging into it in a clumsy dive before he could change his mind because of that chill greeting.

Troy floundered along the shore, being no expert as was that other now heading, with clean arm sweeps and effortless kicks, back from the centre. His threshing disturbed mats of floating blossoms shed by trees bordering a rill that fed the lake at this point, and the bruised petals patterned his wet skin as he found sandy footing and stood up, shivering.

'Storm cold, Gentle Homo,' he commented as Rerne waded in.

The other stopped to wring water from his braided hair knot and then, surveying Troy's dappled body, he laughed.

'A new refinement -- flower baths?'


Amazing what time and context can do...

Date: 2015-11-12 01:13 am (UTC)
From: [identity profile] whswhs.livejournal.com
You know, I reread that sometime in the past few years, but I didn't remember much of it at the level of sentence recognition. But its being Norton sheds light on its having a fantasy tone; a lot of Norton's sf had that flavor.

Of course you're right about "Gentle Homo," but it has a different problem: Norton systematically contrasts "Gentle Homo" for a man and "Gentle Fem" for a woman. But in actual Latin homo meant a human being of either sex (like Greek anthropos); the Latin for "male human being" was vir. Norton ought to have been able to look that one up.

Date: 2015-11-12 12:40 pm (UTC)
From: [identity profile] ffutures.livejournal.com
I never knew that - thanks!

Date: 2015-11-12 09:49 am (UTC)
From: [identity profile] jhall1.livejournal.com
I'm not sure that it's you. I've read comparatively little fanfic, and almost no slash, but I think the slash undertones really are there.

Date: 2015-11-12 12:40 pm (UTC)
From: [identity profile] ffutures.livejournal.com
It's possible, of course, but she was writing in an era when most SF had an all-male cast, so it isn't always easy to tell.

Date: 2015-11-12 02:37 pm (UTC)
From: [identity profile] whswhs.livejournal.com
Have you ever seen the classic mystery film In the Heat of the Night? White sheriff (Rod Steiger) in southern town arrests black man from out of town (Sidney Poitier) for a murder; black man not only has an alibi but proves to be a big city homicide detective; sheriff and detective both solve murder and earn each other's initially reluctant respect as professionals. Midway through the film the sheriff invited the detective into his home and indeed into his personal sitting room, and they drank whiskey together and discussed the loneliness of a policeman's life.

Years ago, when [livejournal.com profile] chorale's family were still in the habit of watching videos, we took In the Heat of the Night there one holiday. And when we got to that scene I leaned over and whispered to her, "Slash!" And of course it was a joke, because Rod Steiger wasn't the sort of romantic figure that attracts slash (Sidney Poitier was a different story!), and because we were both perfectly sure the writers weren't thinking of that. But if you read that scene in fanfic it would be really easy to read it as slash.

Date: 2015-11-12 03:52 pm (UTC)
From: [identity profile] ffutures.livejournal.com
I vaguely remember the scene. I agree, any male-male interaction is potentially slash if you want to see it that way, this just seemed a particularly clear example.

Date: 2015-11-13 05:45 pm (UTC)
From: [identity profile] chuk-g.livejournal.com
I just recently read the novel the movie was based on.

Date: 2015-11-16 09:29 am (UTC)
From: [identity profile] ffutures.livejournal.com
Much better than the sequels.

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